This is section documents some of the more interesting characters that have made substaintial contributions to our theatre history.
Written by Roger Neill
Roger Neill is a UK-based arts historian. He curated the exhibition Legends: The Art of Walter Barnett for the National Portrait Gallery in Canberra in 2000. He helped Sam Wanamaker to re-build Shakespeare’s Globe in London. His most recent book is The Simonsens of St Kilda: A Family of Singers. With Tony Locantro he co-produced the 4CD set From Melba to Sutherland: Australian Singers on Record for Decca Eloquence.
Written by Cheryl Threadgold
Since 2005 Cheryl has been the honorary theatre writer/reviewer/review coordinator for the 'Melbourne Observer' newspaper, and presented the non-professional theatre report on 3AW for six and a half years. She convenes the Bayside U3A Writers Group, and casts and directs the writers' radio plays for broadcast on 88.3 Southern FM.
Personal involvement in amateur theatre commenced in1958 in a play titled 'A Must for Dolly' (a sequel to 'Man and Superman' by George Bernard Shaw) written and directed by J. Beresford Fowler at the Arrow Theatre, Middle Park.
After working in ABC Television behind the scenes for 29 years, more recent amateur theatrical activities include performing, directing, choreographing, writing full-length productions and short plays, publicity, adjudicating, committee and front-of-house.
A love of amateur theatre inspired Cheryl to undertake a PhD research project with Swinburne University of Technology to explore the history and culture of the theatrical arts sector in Victoria. Her self-published book In the Name of Theatre: the history, culture and voices of amateur theatre in Victoria is based on the award-winning thesis and won the 2020 Collaborative Victorian Community History Award.
Written by Peter Pinne
Peter Pinne's musical theatre career reached a peak in 1995 when his and his longtime collaborator, Don Battye's musical Prisoner – Cell Block H The Musical opened a season at the Queen's Theatre, London and became a cult hit subsequently touring the UK in '96 and '97.
Prior to that he and Battye had written many musicals produced in Australia that included Caroline, A Bunch of Ratbags, Red White & Boogie, and Sweet Fanny Adams. Their musicals for children, The Emperor's New Clothes, The Little Tin Soldier, The Shoemaker & The Elves, Jack & The Beanstalk, Beauty & The Beast, Rumpelstiltskin and Billabong Bill have become a staple of the children's theatre scene since they were originally produced at the Alexander Theatre, Melbourne.
Peter Pinne's other musical collaborations include; A Bit O' Petticoat with Ray Kolle, Pyjamas In Paradise with John-Michael Howson, and Mavis Bramston – Reloaded and Suddenly Single with Paul Dellit.
He has also had a high profile career in television where he worked for the Grundy Organization on such iconic shows as Neighbours, Prisoner, Sons and Daughters, The Restless Years, The Young Doctors, and Secret Valley amongst others. He has also worked in the U.S., Latin America and Indonesia producing television drama, game shows and sitcoms for Pearson Television and Fremantlemedia.
From 1999 until the end of 2007 Mr Pinne was the owner and president of Bayview Recording Company, Los Angeles, USA, a boutique label who newly recorded and reissued CDs aimed at the show music market. These included over twenty recordings from New York Town Hall's concert series Broadway By The Year.
Apart from scripting television drama, he also wrote, with Battye, the theme song for the series Sons and Daughters. Other music credits include the score for the award winning movie A City's Child. He is the author of the discography Australian Performers, Australian Performances, and currently writes for On Stage and Stage Whispers.
In late 2019 he released The Australian Musical: from the beginning, a definitive history of Australian musical theatre, co-authored with Peter Wyllie Johnston, and published by Allen & Unwin in association with the Queensland Performing Arts Centre.
Written by Sue-Anne Wallace
Sue-Anne is an art historian whose doctoral research considered the liturgical theatres of the rock-cut churches in Cappadocia, Turkey. She has extensive experience in arts development and museums, with the Australia Council, National Gallery of Australia, Museum of Contemporary Art Sydney and Queensland University of Technology Cultural Precinct. In the latter position, she was also the director of the Gardens Theatre Brisbane. She is currently researching late nineteenth and early twentieth century theatre in Australia with a focus on renowned Scottish actor Walter Bentley who toured in UK, USA, Australia and New Zealand from 1873, settling in Australia in 1909. Memorabilia of Walter Bentley’s is housed in the State Library of NSW and the Museum of Applied Arts and Sciences Sydney. Sue-Anne is an adjunct fellow of the Sir Zelman Cowan Centre, Victoria University.
Written by J.A. Kenyon; edited by Judy Leech
Judy has had a twenty-two year career at the ABC Television Studios as a graphic designer, with occasional forays into children's book illustrations. This was followed by ten years working with the Rex Reid Dance Company on costume, set and props design. Since the late 1990s Judy has been closely involved, in a design capacity, with many of the annual musicals presented by Melbourne High and Mac.Robertson's Schools.
Written by Kurt Gänzl
Kurt is one of the most important chroniclers of the world’s history of music and theatre. His numerous works on the subject include The Encyclopedia of the Musical Theatre (1994, 2001), The British Musical Theatre (1986), The Musical: a concise history (1997), Gänzl’s Book of the Musical Theatre (1988), Victorian Vocalists (2018) and biographies of such artists as Lydia Thompson (2002), Willie Gill (2002), Emily Soldene (In Search of a Singer, 2007), and Gilbert & Sullivan, the Players and the Plays (October 2021). Forthcoming works include an update of the 2007 University textbook, and a translation of the Rapsodies of Petrus Borel with his brother, poet John Gallas.
Written by Sue-Anne Wallace
Sue-Anne is an art historian whose doctoral research considered the liturgical theatres of the rock-cut churches in Cappadocia, Turkey. She has extensive experience in arts development and museums, with the Australia Council, National Gallery of Australia, Museum of Contemporary Art Sydney and Queensland University of Technology Cultural Precinct. In the latter position, she was also the director of the Gardens Theatre Brisbane. She is currently researching late nineteenth and early twentieth century theatre in Australia with a focus on renowned Scottish actor Walter Bentley who toured in UK, USA, Australia and New Zealand from 1873, settling in Australia in 1909. Memorabilia of Walter Bentley’s is housed in the State Library of NSW and the Museum of Applied Arts and Sciences Sydney. Sue-Anne is an adjunct fellow of the Sir Zelman Cowan Centre, Victoria University.
Written by Peter Pinne
Peter Pinne's musical theatre career reached a peak in 1995 when his and his longtime collaborator, Don Battye's musical Prisoner – Cell Block H The Musical opened a season at the Queen's Theatre, London and became a cult hit subsequently touring the UK in '96 and '97.
Prior to that he and Battye had written many musicals produced in Australia that included Caroline, A Bunch of Ratbags, Red White & Boogie, and Sweet Fanny Adams. Their musicals for children, The Emperor's New Clothes, The Little Tin Soldier, The Shoemaker & The Elves, Jack & The Beanstalk, Beauty & The Beast, Rumpelstiltskin and Billabong Bill have become a staple of the children's theatre scene since they were originally produced at the Alexander Theatre, Melbourne.
Peter Pinne's other musical collaborations include; A Bit O' Petticoat with Ray Kolle, Pyjamas In Paradise with John-Michael Howson, and Mavis Bramston – Reloaded and Suddenly Single with Paul Dellit.
He has also had a high profile career in television where he worked for the Grundy Organization on such iconic shows as Neighbours, Prisoner, Sons and Daughters, The Restless Years, The Young Doctors, and Secret Valley amongst others. He has also worked in the U.S., Latin America and Indonesia producing television drama, game shows and sitcoms for Pearson Television and Fremantlemedia.
From 1999 until the end of 2007 Mr Pinne was the owner and president of Bayview Recording Company, Los Angeles, USA, a boutique label who newly recorded and reissued CDs aimed at the show music market. These included over twenty recordings from New York Town Hall's concert series Broadway By The Year.
Apart from scripting television drama, he also wrote, with Battye, the theme song for the series Sons and Daughters. Other music credits include the score for the award winning movie A City's Child. He is the author of the discography Australian Performers, Australian Performances, and currently writes for On Stage and Stage Whispers.
In late 2019 he released The Australian Musical: from the beginning, a definitive history of Australian musical theatre, co-authored with Peter Wyllie Johnston, and published by Allen & Unwin in association with the Queensland Performing Arts Centre.
Written by Kurt Gänzl
Kurt is one of the most important chroniclers of the world’s history of music and theatre. His numerous works on the subject include The Encyclopedia of the Musical Theatre (1994, 2001), The British Musical Theatre (1986), The Musical: a concise history (1997), Gänzl’s Book of the Musical Theatre (1988), Victorian Vocalists (2018) and biographies of such artists as Lydia Thompson (2002), Willie Gill (2002), Emily Soldene (In Search of a Singer, 2007), and Gilbert & Sullivan, the Players and the Plays (October 2021). Forthcoming works include an update of the 2007 University textbook, and a translation of the Rapsodies of Petrus Borel with his brother, poet John Gallas.
Written by J.A. Kenyon; edited by Judy Leech
Judy has had a twenty-two year career at the ABC Television Studios as a graphic designer, with occasional forays into children's book illustrations. This was followed by ten years working with the Rex Reid Dance Company on costume, set and props design. Since the late 1990s Judy has been closely involved, in a design capacity, with many of the annual musicals presented by Melbourne High and Mac.Robertson's Schools.
Written by Simon Plant
SIMON PLANT BA (Hons) and Masters (University of Melbourne) is a Melbourne writer and historian. His 35 year career in journalism includes three decades at the Herald and Weekly Times as a reporter and editor specialising in arts and entertainment. Simon is writing a play about the novelist Ian Fleming and undertaking research into showman George Coppin’s travels in Civil War America.
Get this content delivered to your inbox